Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Butler, Gregory G.Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0. 1990 139p
2. Butler, Gregory G.J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20 2 Summer 1989 4-37
3. Butler, Gregory G.J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. Bach 25 1 Spring-Summer 1994 5-10
4. Butler, Gregory G.The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. Bach 33 1 2002 57-68
5. Butler, GregoryBeobachtungen am Eingangschor von Bachs Kantate 'Halt im Gedächtnis Jesum Christ' BWV 67. Kleine Beiträge. BachJb 106 2020 249-258
6. Butler, Gregory G.Leipziger Stecher in Bachs Origianldrucken. Summary in English (p.153), French (p.154), Russian (p.155) and Czech (p.157). BachJb 66 1980 9-26
7. Butler, Gregory G.Neues zur Datierung der Goldberg-Variationen. Kleine Beiträge. BachJb 74 1988 219-223
8. Butler, Gregory G.Johann Sebastian Bachs Gloria in excelsis Deo BWV 191: Musik für ein Leipziger Dankfest. Kleine Beiträge. BachJb 78 1992 65-71
9. Butler, Gregory G.J. S. Bachs Kanonische Veränderungen über 'Vom Himmel hoch' (BWV 769). Ein Schlußstrich unter die Debatte um die Frage der 'Fassung letzter Hand'. BachJb 86 2000 9-34
10. Butler, Gregory G.The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s. Bachperspectives 10 2016 76-86
11. Butler, Gregory G.Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 1996 159-168
12. Butler, Gregory G.The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 1999 9-32
13. Butler, Gregory G.J. S. Bach's Concerted Ensemble Music, The Ouverture. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6) BachPerspectives 6 2007 xi, 163p
14. Butler, Gregory G.Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives 7 2008 1-20
15. Butler, Gregory G. (ed.)J. S. Bach's Concerted Ensemble Music, The Concerto. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7) BachPerspectives 7 2008 xi, 121p
16. Butler, Gregory G.J. S. Bach's reception of Tomaso Albinoni's mature concertos. BachStud 2 1995 20-46
17. Butler, Gregory G.Borrowings in J. S. Bach's Klavierübung III. CanadianUnivMReview 4 1983 204-217
18. Butler, Gregory G.Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue. [ce]AboutBach 2008 111-123
19. Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.)About Bach. [Dedicated with affection to Christoph Wolff, Scholar; Mentor; Friend.] Urbana and Chicago: University of Illinois Press, 2008. xi, 216p. ISBN: 13: 978-0-252-03344-5; 10-0-252-03344-2. [ce]AboutBach 2008 xi, 216p
20. Butler, Gregory G.Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing. [ce]NewMatthesonStudies 1983 293-305
21. Butler, GregoryPrinted Editions. [Chapter 4] Part I: Sources. [ce]RoutledgeResearchCompanion 2017 89-95
22. Butler, GregoryJ. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. ContextBachStud 8 2018 205-214
23. Butler, Gregory G.Johann Gotthilf Ziegler: Der Notenstecher der Partiten III bis VI von Johann Sebastian Bach? [BWV 827-830] [cr]Leipzig1985 1988 277-281
24. Butler, Gregory G.The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. diss. 1973
25. Butler, Gregory G.Toward a More Precise Chronology for Bach's Concerto for Three Violins and Strings BWV 1064a: The Case for Formal Analysis. DortmundBachF 1 1997 235-247
26. Butler, Gregory G.Toward an Aesthetic and Pedagogical Context for J. S. Bach's Italian Concerto BWV 971. DortmundBachF 6 2003 223-230
27. Butler, Gregory G.The projection of affect in Baroque dance music. EarlyM 12 2 May 1984 200-207
28. Butler, Gregory G.Fasch and the canonic trio sonata. FaschSt 6 1997 249-262
29. Butler, Gregory G.Bach's Preluding for a Leipzig Academic Ceremony. [BWV 65, 191, 198, 531, 545, 547, 564, 590, 667] [fs]Leaver65 2007 51-67
30. Butler, Gregory G.The Engravers of Bach's Clavier-Übung II. [fs]Scheide 1993 57-69
31. Butler, Gregory G.Johann Sebastian Bach und Johann Gottlieb Graun. [fs]Schulze65 1999 186-193
32. Butler, Lynn Edwards; Butler, Gregory'Rare, newly invented stops': Scheibe's organ for St. Paul's Church, Leipzig. [fs]Vogel65 2006 285-306
33. Butler, Gregory G.The origins of J.S. Bach's 'Wie jammern mich doch die verkehrten Herzen,' BWV 170/3. [fs]Williams70 2007 227-236
34. Butler, Gregory G.The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. [BWV 592-597; 972-987, 808, 1050] IrishMStud 8 2004 93-101
35. Butler, Gregory G.The Printing History of J. S. Bach's Musical Offering: New Interpretations. JMcol 19 2 Spring 2002 306-331
36. Butler, Gregory G.J. S. Bach and the Concord-Discord Paradox. [BWV 1086, 207] JMcol 9 3 Summer 1991 343-357
37. Butler, Gregory G.The engraving of J. S. Bach's six partitas. JMcolResearch 7 1 1986 3-27
38. Butler, Gregory G.Fugue and Rhetoric. JMTheory 21 1 Spring 1977 49-109
39. Butler, Gregory'Instrumente Mangel': Leipzig Cantata Movements with Obbligato Organ as a Reflection of Bach's Performing Forces. KeyboardPerspectives 3 2010 131-146
40. Butler, Gregory G.Eine neue Interpretation der Druckgeschichte des Musikalischen Opfers. LeipzigerBeitrBachF 5 2002 309-320
41. Butler, Gregory G.The Fantasia as Musical Image. MQ 60 4 Oct 1974 602-615
42. Butler, Gregory G.Music and Rhetoric in early 17th century English sources. MQ 66 1 Jan 1980 53-64
43. Butler, Gregory G.Ordering Problems in J. S. Bach's Art of Fugue Resolved. MQ 69 1 Winter 1983 44-61
44. Butler, GregoryThe Trost Organ in Altenburg and Bach's Clavierübung III as Manifestations of the Triunophilia of Duke Frederick III of Saxe-Gotha. A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012. [p]ABS_Rochester Sep 2012
45. Butler, Gregory G.Ordering Problems in J. S. Bach's Art of the Fugue Resolved. A paper read at the Forth-Fifth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, November 1-4, 1979 at The Biltmore, New York City. [p]AMS_Biltmore Nov 1979
46. Butler, Gregory G.Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing. A paper read at the Forty-Seventh Annual Meeting of the American Musicological Society, 12-15 November 1981 at Park Plaza Hotel, Boston. [p]AMS_Boston Nov 1981
47. Butler, Gregory G.The Proof Copies of J. S. Bach's Klavierübung III. A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville. [p]AMS_Louisville Oct 1983
48. Butler, Gregory G.New Research on J. S. Bach's Dritter Teil der Klavierübung (1739). A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis. [p]AMS_Minneapolis Oct 1978
49. Butler, Gregory G.J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. A paper read at the Pacific Northwest Chapter meeting of the American Musicological Society on 30-31 March-1 April 1990 at University of Washington. [p]AMS_PacificNorthwest Mar-Apr 1990
50. Butler, Gregory G.J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. A paper read at the Pacific Northwest Chapter meeting of AMS, 5-6 May 1984 at Stanford University. [p]AMS_PacificNorthwest May 1984
51. Butler, Gregory G.J. S. Bach and the Schemelli Gesangbuch Revisited. A paper read at the Pacific Northwest Chapter meeting of the AMS on 16-17 November 1979 at the University of Victoria. [p]AMS_PacificNorthwest Nov 1979
52. Butler, Gregory G.Borrowings in J. S. Bach's Klavierübung III. A paper read at the Pacific Northwest Chapter meeting of the AMS on 3-4 April 1981 at the University of British Columbia. [p]AMS_PacificNorthwest Apr 1981
53. Butler, Gregory G.Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. A paper read at the Pacific Northwest Chapter of the American Musicological Society on 9-11 April 1999. [p]AMS_PacificNorthwest Apr 1999
54. Butler, Gregory G.Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. A paper given at the Pacific Northwest Chapter meeting of the AMS on November 4-5, 1977 at the University of Washington. [p]AMS_PacificNorthwest Nov 1977
55. Butler, Gregory G.The Engraving and Printing of J. S. Bach's Six Partitas. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. [p]AMS_Vancouver Nov 1985
56. Butler, Gregory G.The Prelude to J. S. Bach's Third English Suite BWV 808/1: An Allegro Concerto Movement in Ritornello Form. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. [p]BCB_Dublin Jul 2000
57. Butler, Gregory G.Der äesthetische und pädagogische Kontext des Italienischen Konzerts. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002. [p]BS_Dortmund Jan-Feb 2002
58. Butler, Gregory G.The Galant Style in Bach's Musical Offering: Widening the Dimensions Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998. [p]BS_Dortmund Jan 1998
59. Butler, Gregory G.Bachs Musicalisches Opfer. Neue Entdeckungen am Originaldruck. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. [p]WK_Leipzig Jan 2000
60. Butler, Gregory G.J. S. Bach and the Schemelli Gesangbuch Revisited. StudiMusicali 13 2 1984 241-257
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